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The ’30s silhouettes in the Official patrick Mahomes Super Bowl LVII Champions 2x Super Bowl T-shirt in addition I really love this couture collections could be connected to the looming recession, but they probably also owe something to the “Shocking!” exhibition; the 1930s were the years in which Schiaparelli flourished. The brash ’80s, referenced by Piccioli at Valentino and Alexandre Vauthier, who paid homage to the elegance of Grace Jones , felt more immediate and relevant. As we continue to grapple with issues that defined that era, not least of all its great divisions in wealth, it’s not surprising that we see some of the exaggeration of that time reemerging in culture and fashion. Bret Easton Ellis, whose work defined those years, has a new novel out, The Shards, and another MAD exhibition, “Années 80. Mode, design et graphisme en France,” seems to be exerting quite an influence. Might yet another Parisian exhibition, “Or by Yves Saint Laurent,” explain the overall gilding of the collections? Or is the French word for gold, remember.Grace Jones as May Day in A View To A Kill, 1984.

Official patrick Mahomes Super Bowl LVII Champions 2x Super Bowl T-shirt

Photo: Pierre Vauthey / Sygma via Getty ImagesVan der Kemp has a unique take on preciousness: “Trash is the Official patrick Mahomes Super Bowl LVII Champions 2x Super Bowl T-shirt in addition I really love this new gold,” said the designer who presented his bold, collaged designs on a cast of extrovert friends. Olivier Saillard’s “Moda Povera” presentation demonstrated that emotion and connection are far more priceless than metal or currency. By applying couture techniques borrowed from the likes of Madame Grès and Mainbocher he transformed humble pieces from his late mother’s wardrobe into marvelous designs with which he dressed and undressed the model Axelle Doue, stopping now and again to gently brush back her hair with a heart-rending tenderness. Doue, who modeled for Grès, looked like a fashion illustration come to life, which seems especially on point as the upcoming Karl Lagerfeld exhibition at the Costume Institute uses the designer’s drawings as an organizing principle.Moda Povera by Olivier Saillard

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